When Jenny Chapman meets Apu, a Peruvian shaman rooted in indigenous knowledge systems, she is drawn into a pilgrimage across South and Central America that unfolds as both an outer journey and an inner reorganisation.

From the mountains of Argentina to the ceremonial landscapes of Mexico, the journey follows sites where geography, mythology, and human meaning intersect. Each place becomes a point of contact with systems of understanding that approach reality through relationship rather than separation.

As the journey progresses, internal experience and external landscape begin to mirror one another. What is encountered in ceremony, myth, and symbolic teaching begins to echo processes occurring within perception, memory, and identity.

Rather than presenting transformation as a sudden shift, the journey unfolds as an extended process of re-patterning—where old structures loosen through exposure to different ways of relating to land, time, and meaning.

Two White Feathers and a Handful of Rocks marks the beginning of a cycle in which lived experience, landscape, and symbolic systems gradually begin to reorganise how reality is perceived and held.